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Sébastien Deurdilly is the co-founder of Live Magazine. He is also the founder and CEO of the Upside Télévision press agency, producing 100 hours of documentaries, investigations and programs for public television channels every year. Prior to editing stories, he was himself a journalist, reporting on radio for Europe 1 and for television for France 5.
Florence Martin-Kessler is the founder and CEO of Live Magazine. She was a Nieman Fellow at Harvard in 2010-11, and sits on the boards of the CFJ (French Journalism School), and LaScam, the French Author's Guild. Her documentary work has explored the perils of building the Republic of South Sudan from scratch (for Arte television); the modern fate of Cambodia (for XXI), and the impossible challenges facing executive women on Wall Street (for the New York Times). She is a founding member of the jury of the Prix du Livre du Réel, France’s first narrative non fiction prize.
have been Live Magazine’s sound designers since its beginnings. Stanley David de Lossy has also created a music school based around group learning (the Rock Lab, in Ixelles); Corentin Simonis does freelance marketing and PR work; and Nicolas Collaer is a professional drummer, playing in several bands: Vismets (rock), Atome (French pop), Alaska Gold Rush (alternative folk). Together, they are Les Garçons - lesgarcons.live.
Ensemble ils sont Les Garçons.
is in charge of Live Magazine’s special editions, as well as being an independent journalist. Following her childhood devotion to reading and synchronized swimming, she studied theatre and literature, and traveled widely -- from the Himalayas to Patagonia -- and from profession to profession, working jobs as diverse as actress, costume artist for the Lido, theatre production and cultural attaché for the French embassy in Belgrade (Serbia). Throughout these adventures, she kept diaries, web chronicles, and a blog. After becoming a journalist (for Le Journal du Dimanche, Grazia, M (le Monde), Society, A Nous Paris, Marie Claire...), she discovered Live Magazine, which blended her two passions -- theatre and journalism -- she almost fainted (from joy) and decided to join the team.
Magali Fourmaintraux is the director for media education at Live Magazine. She was previously director of the Radio France’s publishing branch, where she relaunched France Culture’s Papiers magazine and co-published hundreds of books, records, apps and games adapted from public radio’s programming. She has also been an editor of children’s books for the Seuil and Larousse.
Sarah Trévillard eis Live Magazine’s executive producer. She started off producing documentary films (over 20 films for national television) and online multimedia narratives. Five years ago, she chose live, unrecorded stories over virtual reality.
Anne-Lise Carlo is the producer and editor-in-chief of Live Magazine Belgium. She specializes in conceiving and creating unusual cultural projects: curating the definitive exhibition of the “Art Brut“ artist Henry Brifaut’s 500 works in a castle in Provence, co-creating the D*tours sound documentaries – immersive walks through Brussels on the boundary between documentary and fiction, launching a socially-minded circus in Salvador de Bahia.
India Bouquerel is the editor-in-chief of Live Magazine and head of European projects. She’s been a screenwriter for television and spent many years on the English-speaking staff of the public television channel France 24 as an international news coordinator. She studied public administration, but finally chose news -- the other civil service.
is the co-founder of Live Magazine and an author, recently of a radio series on laziness entitled, A Summer Doing Nothing (Editions Méthode), broadcast on Radio Nova, where he was previously the editor-in-chief. Before that, he would talk about sound on Radio France Culture (for the shows The Sound Workshop and later Supersonic). In 2015, he created “On the Bench,” an immersive sound project across Paris’s parks with contributions from a dozen contemporary writers. He has published an ebook The Chinese Body of a Swiss Army Knife (Emoticourt) and a literary UFO: For a Long Time I Went to Bed Early, Out of Security Concerns (Le Monte-en-l’air).
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