is a photographer. He says he has “the heart of an anarchist, the mind of a historian, and the eye of an artist.” He also has moustaches and a Dutch passport. In Traces of War, Survivors of the Burma and Sumatra Railways (2005), he photographed men, including his father, who had once been condemned to forced labour. And for Comfort Women (2010), he photographed women who had been forced into prostitution by (and for) the Japanese army during World War II. He has also published Law & Order, on criminal justice, The Sweating Subject, on colonial photography and Red Utopia on Communism’s last strongholds (more numerous than one might expect). His work has been acquired by museums – including the Amsterdam’s Rijksmuseum – and he won a World Press Photo award for his series Bureaucratics (1st prize, Portraits). Of the thousands of portraits he has made, one stands out: of Christina Boyer, who has spent 26 years in jail in America, leading Banning to spearhead a campaign to prove her wrongful conviction.
Jane evelyn atwood
is a photographer and author of thirteen books, including the monumental Too Much Time, Women in Prison – a 10-year, 9-country, 2-continent documentary survey – recently turned into a play by Fatima Soulhia-Manet. She started with the groundbreaking Rue des Lombards, that presents the immersive story of a single building – of Parisian prostitutes – over an entire year. She has since explored a number of carefully chosen stories: the French Foreign Legion, the blind, an AIDS patient, Haiti… Originally self-taught, she was awarded the W. Eugene Smith Grant in Humanistic Photography when she was 32. Her latest book, Pigalle People, was exhibited at the Rencontres de la Photographie, in Arles.
is a photographer. He spent 10 years traveling Europe’s 19,500 km of inner-borders for his series Borderline (published in Belgium by Lannoo). That’s 44 borders. We can safely assume that he believes that imaginary lines can tell us something real about the world we live in. In a past life, Valerio wore English shoes, French silk ties and Italian bespoke suits – that was back when he worked as a strategy consultant for AT Kearney and Bain & Company in Milan.
Tomas van houtryve
Tomas van Houtryve is a photographer – member of the New York-based photo agency VII – and an artist. He travelled for seven years across Nepal, North Korea, Cuba, Moldova, Laos, Vietnam, and China for his book, Behind the Curtains of 21st Century Com- munism. His recent work, Blue Sky Days, documenting the US military’s use of surveillance drones, was awarded a World Press Photo, and is the longest picture story ever published by Harper’s in its 169 year history. He was just awarded the Scam Roger Pic Award for Lines and Lineage – a series about the Mexican past of the American West, photographed with glass plates and a 19th-century wooden camera.
Guy le querrec
Guy Le Querrec is a photographer and member of the Magnum agency. He often says, “in photography there’s seeing and there’s sorting.” And so he has been sorting and classifying some 36,000 rolls of film and 5,000 portraits of musicians. Because jazz has always been his passion. Africa has been the other grand affair of his life, ever since a first photo he took in Chad “on August 6th 1969”. There’s also been Brittany, where he just enjoyed a major, 40-year retrospective in Rennes. And finally, there’s Arles of course. “I came here in 1976 to give a workshop at the Rencontres and immediately loved it.” He came back 30 years later, on July 6th 2006, to project his photos in the Roman Theatre. And he is back again now, 43 years after the first trip, again on a July 6th.
Olga Kravets is a photographer and documentary film-maker. She has just completed Grozny Nine Cities, a nine year-long project that generated a web-documentary (winner of the Bayeux-Calvados Award), a book (Luma Rencontres Dummy Book Award 2017), and an exhibit at the Rencontres d’Arles. The project chronicles the reconstruction of what was – following 15 years of war (1994-2009) and 150,000 deaths – “the world’s most destroyed city.” Olga left her native Rus- sia, but returns frequently to work.
Paolo Woods is a photographer who, despite not being passionate about the breaking news cycle, has twice won the World Press Photo. His investigations have covered the petrol industry (A Crude World), the wars in Afghanistan and Iraq (American Chaos), the China-Africa connection (China Safari) and tax havens (The Heavens). Ro- bert & Woods are now working alongside photographers Gabriele Galimberti and Edoardo Delille on Happy Pills, a documentary, book and exhibit exploring the link between the universal quest for happiness and seven blockbuster medicines.
Jessica Hilltout is a photographer. She got behind the wheel one morning in Brussels and headed for Ulaanbaatar, then back home by way of Cape Town — just 80,000 kilometers. Soon enough she was back on the road in East Africa, West Africa and Madagascar — adding 20,000 kilometers and 14 borders to the meter. The New York Times and National Geographic published her work under the titles Grassroots Soccer and Soccer Joy. If asked to define what she’s searching for, she’d say “the beauty of imperfect things.” There’s a word for it in Japanese: Wabi-Sabi.
Franck Courtès is a writer whose Autorisation de pratiquer la course à pied won the prize for best story collection from France’s authors association and was short-listed for the Prix Goncourt. He’s been a marathon runner (that’s over). He’s been a press photographer (for Libération, Les Inrocks, Télérama… after 26 years, that’s also over). And he just published La Dernière photo with Lattès. And the book that changed his life: Ernst Junger’s Subtle Hunts.
is a photographer and director. Hailing from Char- leroi, she picked up her camera and traveled the world – the Congo, Bangladesh, Albania — before settling in Cairo and learning Arabic. She’s documented the lives of Kinshasa’s street kids (most of which accused of witchcraft), and of the villagers of Battir near Bethlehem, right on the Armistice line. Her long-term work on Cairo’s youth – a book, a documentary an exhibit at Charleroi’s Museum of Photography – has given faces to the crowds of Tahrir Square, showing a youth as modern as herself. She has won the Nikon Press Photo Award and the Camille Lepage Award, and she likes capturing the world through a square Hasselblad from the 1950s, on film.